Om du säger det så är det nog så, men här är källan jag refererar till, Jarre är citerad:
http://www.soundonsound.com/sos/feb0...es/jmjarre.htm
One thing Jean Michel really wanted to do was make sure that the same instruments were used as on the original album, even though there was the possibility of using more reliable modern equivalents. To complicate matters, Oxygene was an eight-track recording, featuring as many independent synth lines playing together. Having just two hands and no multitimbrality or sequencers meant that a live performance required three other musicians and extra banks of vintage synthesizers. Drafted in to provide the other six hands were Jarre’s long-time collaborators Dominique Perrier, Claude Samard and Francis Rimbert.
“Sometimes there are two or three layers of the same sound, each with different phasing and processing,” explains Jean Michel. “For example, there are several Eminent String Machines that make up one of the main Oxygene string sounds. Having four of us meant I had to multiply the number of instruments, and finding the equipment was quite a headache, especially as I tried, as much as I could, to avoid using instruments produced after Oxygene. There are one or two exceptions but 95 percent of the instruments are of that time. For me it was really important for the radicalism of the process.”
Kan du förklara vad Jarre menar då? Jag tolkar det som att han köpte instrument som han använt för att spela in Oxygene (1976) och att han hittade nästan alla (utom 5% står det, hade för mig att jag läste "alla utom ett instrument" i nån artikel.)
Men det stämmer säkert det du säger också kroffe.