Just det. Snygg.This quote is hidden because you are ignoring this member.
Just det. Snygg.This quote is hidden because you are ignoring this member.
Och TD-poster!This quote is hidden because you are ignoring this member.
Ah visst well spotted detaljtänket i denna Black Mirrror specialepisoden var verkligen genomtänkt. Psykedelia deluxe. Mycket små subtila detaljer.This quote is hidden because you are ignoring this member.
Vad det än är:This quote is hidden because you are ignoring this member.
SÅ SNYGGT! Vill ha! : D
Haha visst är det något riktigt tjusigt han sitter vid! Kan ju vara något påhittat också eftersom bilden ser ut att vara ett kollage men vill kolla med er först innan jag dömmer ut den
Minimoog i SVT-dokumentären om Noice.
https://www.svtplay.se/video/27986319/noice
Senast redigerat av Anubis den 2020-09-25 klockan 16:07.
Al DiMeola leker med någon slags Fairlight?
https://youtu.be/5Lbz7Uqcs2E
Denna video går tyvärr inte att o-se
Har man samma burk som Jan Hammer så kan man låta som Jan Hammer. 😄
Kul att han glömde att det inte är mandolin han spelar!
Me likes!😎
Oj! Lite samma vibb som i paperboycalles grotta. Det här måste ju redas ut. Om han inte är så måste han ju bli.This quote is hidden because you are ignoring this member.
Är det inte en Siel Cruise där i bakgrunden....This quote is hidden because you are ignoring this member.
Japp, den här gången har du rätt.This quote is hidden because you are ignoring this member.
This quote is hidden because you are ignoring this member.
Hehe, jepp!
Hittade den här i en gammal fotofolder.
Bilden är tagen i studion i labbet på Universal Audio i Kalifornien (för typ 10 år sedan...).
Bifogad fil 97510
Haha... vilken knasig video.This quote is hidden because you are ignoring this member.
Jäkla oskick att stå o veva med pinnar och svärd vid en CMI på det där viset.
53:49 in i den här dokumentären sitter Mike Oldfield med benen i kors på golvet och spelar på en stråkmaskin av något slag, men till höger om honom står det en EMS-synt med tillhörande klaviatur som jag inte riktigt känner igen. Någon som kan identifiera den/dem?
https://youtu.be/gYGfaYI1n8c?t=3168
(Tydligen gick det inte att embedda denna video av copyrightskäl så måste man klicka sig fram till Youtube för att få se den).
Det är en EMS Universal sequencer.
https://youtu.be/AdpOg-GFZWU
Vet inte om pog och loopern, men de andra lär dra väldans lite. Förmodligen pod och looparen med. Typ motsvarande en sekunds stekning ellerså
Tack! När man tror man sett allt ... intressant design med vad som ser ut att vara ett genomskinligt lock så man kan se ett helt kretskort.This quote is hidden because you are ignoring this member.
Ah, Matrixsynth har samlat på sig lite bilder. Ser ut att vara ett otroligt glest bestyckat kort. Själva funktionen torde väl vara som Synthi KS eller ?
En Matrixsynth-länk till, med färre bilder men mer info. Tydligen en förbättring på KS (fattas bara annat med så mycket panelyta!).
Vibratoman, bananman, acidtröja... men var är synten?This quote is hidden because you are ignoring this member.
Jag började skriva ungefär samma, men redde inte ut vilka maskiner det var.This quote is hidden because you are ignoring this member.
Andra låten med Loreen var riktigt fin, annars lite väl stelt...This quote is hidden because you are ignoring this member.
Wtf?! TV4s ekonominyheter berättar om nystartade företag och visar i reportaget två killar med drömmar att sälja beats och bakgrundsmusik till artister. De sitter vid en skärm med lite klassiska moderna prylar. Meeeeeeeeeen, hela storyn har en drägglig vinjettbild med en hel trave klassiker: PPG, P5, 4-Voice, VP-330, T-8, Synthex etc.
(They wish... )
Haha! Jäklar vad mycket musikutrustning som har använts i filmer och TV-serier genom tiderna när saker ska se tekniska och futuristiska ut!This quote is hidden because you are ignoring this member.
Det var gott om olika gammal mätutrustning, filter, frekvensräknare och sånt också, men de känns på nå't sätt troligare i sin ruffighet (om man inte leker Hainbach såklart). Circuit stack ut. Jag tycker mig ha sett gamla rackeffekter också, men ingen jag kunnat namnge säkert då de ofta är i bakgrunden och ur fokus.This quote is hidden because you are ignoring this member.
Men japp, klassikern i den här tråden är väl SEM-sequencerdelen som tydligen kan prata med delfiner. Det är iaf min favorit.
https://www.kvraudio.com/forum/viewtopic.php?t=527226 har lite fler exempel.
...och Focusrite Red och dubbla ADATThis quote is hidden because you are ignoring this member.
Eventide-FX var förresten en viktig del skapa den utomjordiska Swosh-signalen (modulerad pitch-shift)
Ja, hur trodde du annars de fick till sådan skön rymdklang!This quote is hidden because you are ignoring this member.
Bennys GX-1a två minuter in här:
https://www.svtplay.se/video/3007637...rand-avsnitt-1
Spökigt!This quote is hidden because you are ignoring this member.
Haha. Ja!This quote is hidden because you are ignoring this member.
Tror det var Linn Fijal där va? Hyfsat kul jobb!
https://www.volvocars.com/se/edit/ar...mixningsverket
Linn Fijal till vänster, Vilma Colling till höger.This quote is hidden because you are ignoring this member.
CITY BOY 5705 med ROLAND SH-5 i tillhörande video; https://www.youtube.com/watch?v=aYvA_tGlWAc
Samt en Korg 800DV och en Roland RS-202This quote is hidden because you are ignoring this member.
https://youtu.be/hp1Y_kVL6a0?t=2469
36:36
"The Access System", ett digitalt ljudbibliotek som laddas från stordator-disk packs in i en datamaskin med extern kontroller/mixer. Han demonstrerar bland annat hur man ljudlägger en helikopterfärd baserad på en tre sekunder lång digital ljudinspelning.
41:00
Emulator I, Minimoog och Prophet 5
Senast redigerat av Nattvard den 2021-03-11 klockan 14:44. Anledning: embed
Råkade på Benjamin´s på TV4 när han satt och spelade piano med Marco(olio) och stod det inte en Roland CR8000 ovanpå skolpianot minsann!
Kling Klang
The Kling Klang studio arrangement gives an intriguing insight into music of the future. Ralf and I examined the layout in the labelled photograph and discussed the equipment working from left to right (from Ralf to Florian). The letters in the text relate to the locations on the picture.
A First, there are two analogue sequencers which will produce up to 64 notes. The many rows of switches have 'in, shift and stop' settings for trigger, rest and reset points, as well as pitch control. The sequence can run as two x 32 in parallel or 1 x 64 in series. LED indicators can be clearly seen from the audience during operation. The triggers can be outputted wherever Ralf desires, generally to the console instruments (except Karl's who prefers to play manual bass lines).
So here is the secret of Kraftwerk's superb synchronisation throughout their performance. "Remember, we have been playing this kind of synchronised music for about 10 years. To play along with machines is very difficult - a lot of people speed up or slow down when doing it. Our 'dialogue' with the machines is to choose whenever we want the machine or human pulse. Although we don't yet have the perfect set-up, the 'friendship' or inter-relationship we create with the machines makes them an extension of the musician. If one instrument breaks down we are still able to continue, and when we finish our current series of tours we'll be modifying the set still further."
Several master clocks are positioned around the console so that any player can be selecting a tempo for the next piece. This explains the short gap between numbers - "It could be even shorter but we are a little nervous sometimes! We can also trigger other synthesisers off stage and the clock times are set via a digital display and key pad."
B Ralf's TV monitor and telephone communication to engineers.
C The Roland Micro-Composer (with expanded memory) plus a bank of switches for routing signals. "The composer can be used for extra tracks in one or two pieces or as the time clock in performance, although we prefer to use it when we are at home for trying out sequence combinations. This is much easier than using the analogue sequencers but it still takes a fair amount of time to set up."
D The Eventide Digital Delay and Flanger with a small stereo mixer. Panning of sounds can be done by the players mixers or by the sound engineer. "We are not the biggest fans of panning!" comments Ralf. "We think stereo is a 'privileged sound' since only those that sit in the middle hear it properly, and so we are happier to use a mono output that has plenty of depth. Electronic Reverberation is not used very much in performance because most venues have enough (or too much) already."
Both Ralf and Florian use headsets. Ralf does the 'straight' vocals, often shielding the mic with his hand to avoid feedback and increase bass volume. Florian's mic feeds the vocoder and this adds subtle changes to Ralfs voice and provides extra effects.
R "I am playing three keyboard instruments stacked on my console: a special light-disc instrument from Florida for mono choir sounds, with the Polymoog and Minimoog synthesisers. We all have 4 foot pedals under our front consoles for volume and/or effect control."
K This is Karl's keyboard - specially made in Italy to replace Korg's keyboard controller, which operates the Korg PS-3300 polyphonic synthesiser set in E console. One of its special features for us is its ability to merge harmonic with 'non-related' overtones and its parameters stretch attack and decay times to their limits. In E there are also a tuning device, volts/amps meters for checking power supplies and graphic equalisers. Incidentally, LEDs on the keyboard console panel show notes being played to the audience.
G Karl's TV monitor.
H Ventilation grilles in corner section linking the two straight console rows.
I Wolfgang's TV monitor.
J The custom-built drum consoles. Here are the electronics for the two drum controllers containing 6 metal pads mounted on stands L. Also various filtering devices plus a Syndrum unit. One drum pad is played by Karl occasionally and the other by Wolfgang.
M Next come some more equalisers including parametric types, filters, mixer rack, Eventide Harmoniser and Digital Delay, and Limiter/compressors.
W Wolfgang's console contains the special drum machine built by Kraftwerk's engineer. There are 6 rows of switches, each row having its own drum sound that can be pulsed on when a switch is set during the sequence run (controlled by a master clock). LED lights on its front show the audience the sequence taking place. Wolfgang is continuously changing these to give the rhythm plenty of variation, at the same time using his pedals to give accent.
O Sennheiser Vocoder rack.
P Mixer, metering and switching facilities.
Q Florian's TV monitor.
S The circuitry for the electronic flute on its stand at N. It's not actually blown but uses keys situated in flute pad positions that are 'touched' by the fingers to give a D/A control voltage/trigger output for any of the synthesisers.
T EMS Vocoder with patch panel.
F Florian's keyboard console containing a Prophet polyphonic synthesiser and trigger pad for starting his master clock.
U Overhead stage spots for highlighting players.
V Special Sony Video screens with projection units.
X Foldback at floor level (supplemented by extra underfloor speakers).
Y Fluorescent name boxes.
Z Coloured fluorescent strip lighting (ultra-violet, red, green, yellow, white and blue), running behind the consoles. Over each console rack are lights for illuminating the controls, although between numbers the players use torches to set up. The strobe lights ST are triggered automatically from a sequencer.
http://www.muzines.co.uk/articles/kraftwerk-revealed/3567#
Älskar detta.This quote is hidden because you are ignoring this member.
Fullt citat:This quote is hidden because you are ignoring this member.
" "We are not the biggest fans of panning!" comments Ralf. "We think stereo is a 'privileged sound' since only those that sit in the middle hear it properly, and so we are happier to use a mono output that has plenty of depth. " "
Underbart!
Pet shop boys hos Dabrowski runt 1990. Korg M1 och en Emulator II lånade från Keyboard city som fick
lite smygreklam i rutan.
https://www.svtplay.se/video/2873601...odalId=jnGqM5K
Två Kronos och en Prologue (KORG-sponsring?), mer syntar vänster om den högra keyboardisten, bland annat en Prologue till och något som ser ut som någon form av Theremin...
Och JÄDRAR vilket ös på scen, riktigt bra live-version!!
https://youtu.be/oIO5lfJ9dhs
Bifogad fil 100685
Senast redigerat av Gammal Kuf den 2021-03-28 klockan 03:20.
Tubalgoritmen flirtar med mig:
https://youtu.be/QjLzj8HQqh8
Korg Volca i nya Loki-trailern.
Vid 0:33 typ.
https://youtu.be/nW948Va-l10
Vilken synt är det Ralf Dörper i Propaganda spelar på här? en vit 5-oktavig Roland som syns från 0:41.
https://youtu.be/m4TrNLkaa0I
Tack. Det var en knepig rackare men jag misstänkte att det var något enklare keyboard med inbyggd högtalare.This quote is hidden because you are ignoring this member.
Ser ”La La Land” nu. Lite Kronos, lite Seaboard Grand, lite keytar osv, men wtf?! Minimoogen i studioscenen har en jättelogga jag aldrig sett. Produktplacering extravaganza?! Nån mer som hajjat till?
Edit: Aha, Voyager XL (eller vad den heter, fick pausa och kolla närmare). Men loggan stämmer ändå inte…
Edit 2: Tolexmodellen. Nice!
https://www.bax-shop.de/moog-tolex-m...er-synthesizer